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All of that was radical. It is now acknowledged without issue. Tarantino mined ‘60s and ‘70s pop culture in “Pulp Fiction” the best way Lucas and Spielberg had the ‘30s, ‘40s, and ‘50s, but he arguably was even more successful in repackaging the once-disreputable cultural artifacts he unearthed as art for the Croisette as well as the Academy.

In her masterful first film, Coppola uses the tools of cinema to paint adolescence as an ethereal fairy tale that is both ridden with malaise and as wispy to be a cirrus cloud.

Like many on the best films of its ten years, “Beau Travail” freely shifts between fantasy and reality without stopping to discover them by name, resulting in a kind of cinematic hypnosis that audiences experienced rarely seen deployed with such thriller or confidence.

The ‘90s included many different milestones for cinema, but Maybe none more vital or depressingly overdue than the first widely distributed feature directed by a Black woman, which arrived in 1991 — almost a hundred years after the advent of cinema itself.

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Possibly you love it for the message — the film became a feminist touchstone, showing two lawless women who fight back against abuse and find freedom in the process.

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